Druin Unleashes Their Debut EP: The Goat Whispering In The Panther’s Ear
Emerging like a storm from Vancouver’s Pacific Northwest, Druin delivers a thunderous debut EP, The Goat Whispering In The Panther’s Ear, blending doom, sludge, and post-metal into an overwhelming sonic experience. Released on August 14, 2024, this EP is a bold statement, marking the band’s arrival as a force ready to push the boundaries of progressive metal. Now available on Spotify, YouTube, and all major streaming platforms, the EP offers listeners a chance to immerse themselves in Druin’s raw, untamed power.
Tracklist:
- Counterfeit Cigarettes
- You Don’t Always Live to Be Old
- Sailing Stones
- Die With a Pound of Dirt
- Napoleon Grave
With roots deep in Vancouver’s metal scene, Druin pulls talent from prominent bands like The Nautilus and Kataplexis. Together, they forge a sound that’s as heavy as it is expansive. On The Goat Whispering In The Panther’s Ear, Druin fuses the crushing depths of doom with post-metal’s vast, atmospheric scope, creating an auditory journey that feels both primal and cinematic. This isn’t just an EP—it’s a full-scale immersion into darkness.
Produced and recorded in Vancouver by Ross Albrecht, the EP’s DIY production approach captures Druin’s ferocious energy in its rawest form. The eerie cover art, designed by Grant Selby, and guest vocals from Miles Morrison add further depth, drawing listeners into the EP’s haunting sonic world.
The Band:
- Ross Albrecht – Guitar/Vocals
- Erik Anderson – Guitar/Backup Vocals
- Tegan Musser – Bass
- Drew Christie – Drums
From the crushing riffs of “Counterfeit Cigarettes” to the dark, sprawling epic that is “Napoleon Grave,” Druin’s debut showcases their talent for fusing brute force with intricate, atmospheric textures.
For fans of progressive metal, sludge, and doom, The Goat Whispering In The Panther’s Ear is essential listening.
This review of Druin is published by L.A. Gold Records for entertainment and news purposes only. L.A. Gold Records is not affiliated with Druin, their management, record label, or any associated parties. The opinions expressed in this review are those of the author and do not reflect any official relationship with the band. This content is intended to inform and entertain readers, and it is not an endorsement or critique of any individual or entity
